Jasper johns target9/4/2023 ![]() He includes the tools of his trade-a paint brush and three watercolor discs in red, yellow and blue. Titled “TARGET 1960,” Johns has signed the piece but invites the viewer to complete the work, leaving a space for the viewer’s name with a blank line. The piece depicts a target that Johns has delineated in five concentric circles, precisely rendered in delicate graphite upon a soft white ground. ![]() Target illustrates the key principles of Jasper Johns’ early work, with an impudence that recalls Duchamp and a spontaneity that evokes John Cage. The inherently flat design of the target allowed Johns to straddle the precarious middle ground between representation and abstraction, which critics alternately praised and reviled when the targets were first exhibited. During the crucial period of 1955 to 1961, Johns completed over twenty-five paintings and drawings of the target, including the iconic Target with Four Faces of 1955, now in the Museum of Modern Art. Along with the flag, the target is arguably Johns’ most important recurring motif. ![]() Created in 1960, the piece illustrates one of the best known symbols of the artist’s career. The intimately-scaled yet conceptually daring Target is a witty, irreverent embodiment of Jasper Johns’ early work. ![]()
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